My Father’s House
I must go and build for you a mansion
Someday I will return to take you there
You’ve never seen or heard, you can’t imagine
The wonders of this place that I’ve prepared
Forever you will be, living there with me
I am going to my father’s house, yes I am going to my father’s house
And there is neither Jew nor Greek nor Gentile
But all one body under the same Lord
Together we must carry forth this kingdom
With hearts and hands and minds in one accord
So then as sisters and brothers
Be faithful to this cause
For we are family in my father’s house, yes we are family in my father’s house
And I will be with you until the end of time
You’ll never have to do this all alone
Just be ready when I come again for you
To take my children to their rightful home
Where there will be no pain, no grief, no sorrow
For pain and death have all been done away
The dark is gone, the night is surely over
There is only one bright eternal day
So seek not treasure here, but fervently prepare
And I will see you in my father’s house, yes I will see you in my father’s house
I will see you in my father’s house, someday…
Story of the song(My Father’s House): I was 21, living on the big island of Hawaii. I was a bass player, and beginning guitarist, but did not know I was a songwriter. Had prepared a song to sing at Kohala SDA church and when I got there the accompaniment tape that I thought was in my glovebox, was not there. I had read John 14:1-3 that morning and this chord progression had been circling in my head for a couple weeks. Wrote the song in the parking lot, practiced it once, went inside and sang it. This is the first song I wrote and I thought it was a fluke at the time. Didn’t expect any more to come along.
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Here I Am
It’s not my aim to make you stand up and repeat after me
It’s not my goal to make you give up everything you believe
I’m not trying to make you give up all your plans
Came here to show you, to make you understand
Here I am, anytime you need me, child
Here I am, if you can’t find your way home
Here I am, and if you ever got a problem, now
Here I am, you won’t have to be alone
I’m standing by anytime that you need me
So just reach out and hold my hand
No need to look any further, no
Here I am
I realize that you’ve been in this situation before
And every single time you fall I know it hurts even more
I’m just trying to love you, to make you realize
Darkness is daylight just the minute that you open up your eyes
Here I am, anytime you need me, child
Here I am, if you can’t find your way home
Here I am, and if you ever got a problem, now
Here I am, you won’t have to be alone
I’m standing by anytime that you need me
So just reach out and hold my hand
No need to look any further, no
Here I am
Story of the song (Here I Am): I was living in Los Angeles, we had one car between me and Suzanne. I rode the bus to work. I’d been feeling distant from God for a couple weeks. Sitting on the bench at the bus-stop, I asked Him about that. And what I heard was, “I’m right here, haven’t left…”
Then I look up and the words on the side of a bus catch my attention, some billboard for something or other, but the bus is directly in front of me and I see the words “Here I Am.” I wrote the song when I got home. Didn’t like the song, so I crumpled it up and tossed it. Suzanne liked it and I think she fished it out of the trash and showed it to me like a year later and said “I like this one.”
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You Don’t Know Me
Tell me that I’m goin’ crazy
Tell me that I’m wrong
Tell me that I’ll never make it, and leave before too long
Tell me that I ought to quit and it’s time to let it go
Tell me it’s impossible
Never done before
But you don’t know me
No you don’t know me
Maybe if you take the time and maybe if you look
Maybe you will find the answers written in a book
Maybe if you saw my face, then you’d understand
That in reality the face of God has become the face of man
But you don’t know me, no you don’t know me
When I am hungry, when I’ve got nothing to eat
Will I find comfort in you, will you put shoes on my feet?
And when we meet face to face, will you recognize me?
Maybe if you saw my face, then you’d understand
That in reality the face of God has become the face of man
Maybe if you saw my face, then you’d understand
That in reality the son of God has become the son of Man
But you don’t know me, no you don’t know me
Said you don’t know me, no you don’t know me
Story of the song(You Don’t Know Me): Megan Schoenbachler is an amazing photographer. She had just returned from a photo-trip to South America, and showed me a picture she took there, was it in Peru or Bolivia? I can’t remember. It’s on her website, in the “moments” section. A silhouette on mountaintop, shot from above the clouds. Then she showed me some of the music she’d brought back from her trip and it was full of pan flutes. Something in the pan flute and this photograph spoke to me and started me thinking. Then my mind flashed to chapter 19 of Luke’s biography of Jesus, verse 41. I imagined him up on this mountain in South America and a melody began to form to the sad story of this man who could have saved everyone, had they recognized him. “If you had only known what would bring you peace…but sadly, you don’t know me…”
Then I thought about how we find ourselves taking on a difficult challenge. A tough career, like singer/songwriter, an improbable or impossible marriage, pick any of several insurmountable odds. I heard the voices that tell us, “you really ought to let it go.” And I thought, if ever a man took on something impossible, it was this man two thousand years ago who gave up his own unblemished life in trade for criminals who didn’t even recognize him. And do we recognize him today in the homeless, the forgotten, the discarded, the marginalized?
I used the pan flute voice on my keyboard to get the whole thing started and after the angst began to get a hold of me, it turned into a more guitar-driven song, and eventually the pan flute faded out of the song altogether, but that’s where it started.
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Gethsemane Blues
I’ve been praying for the strength to do the things I know are right
It’s getting heavy, this cup that I must drink tonight
I hear the whispers, they say a friend of mine will turn me in
Under the pressure, I feel the ocean water crashing in
But if there’s any way around it
Do you think maybe this time we could let it pass?
I’ll face tomorrow
You lead, I’ll follow
And I’ll walk this road alone
I’ll go through it
Your will be done
My boys are sleeping
They couldn’t stay awake to watch my back
The shadow’s creeping
Seems to me even the moonlight’s turning black
Even the angels, they couldn’t hold the tide against the flood
Stinging raindrops, I think my sweat and tears have turned to blood
Still, if there’s any way around it, do you think maybe this time we could let it pass?
I’ll face tomorrow
You lead, I’ll follow
And I will walk this road alone
I’ll go through it
Your will be done
Story of the song (Gethsemane Blues): Day before Easter Sunday, maybe 2002 or 2003, somewhere in there. Pastor Dan Bumstead asks me if I have a song that might work for the Easter service. I don’t often write against a deadline, but I say I’ll at least give it a shot. So I started thinking about Sunday morning, Jesus coming back from the dead, that’s a pretty amazing picture and all that, but no lyric is coming to me. I can tell I’m trying too hard to make something happen. Then, randomly or not, my mind returns to a class at PUC, “Life and Teachings of Jesus 101,” taught by Roger Bothwell. I remember how we went through the week of crucifixion and how Thursday night in the garden really impacted me. It was a point of no return, a moment of decision, a setting of the face toward destiny. And when all turned on a knife’s edge, we were saved by the word “never-the-less.”
Again, Luke’s biography of Jesus, chapter 22 this time, verse 42. This sucks, it hurts, I want out, I’d like to quit, I can’t take this anymore and then…NEVERTHELESS.
And the music changes. And you grab the arms of your chair a little tighter, cause now it’s on.
This is one of the first songs for which I saw the scene in my mind and then simply wrote descriptions of what I was looking at. It was like watching a movie.
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Bring IT On!
I say it with conviction, cause I know the way things ought to be
Here is my prediction, this time you won’t get the best of me
All your crafty schemes to steal my dreams
To make me run away and hide
I’ve fallen for a million more
But not this time
Bring it on, bring it on
Bring it on, bring it on
Entirely surrounded, a danger and a threat on every side
You might have me confounded, if mercy hadn’t opened up my eyes
I see hillsides fill with chariot
The mountains are my warrior
I see the vast majorities are on my side
So bring it on, Bring It On
Bring It On, bring It on!
Story of the song (Bring It On!): I was fed up with the devil taking from me and ripping me off and destroying my dreams. Fact is, he doesn’t have the power to destroy me, only to feed me lies and illusions that get me to destroy myself, but I’m not gon’ preach right now. So here I am, early 2003, the Lord’s told me I’m gonna lose everything precious, including Suzanne, and I know there’s a storm coming.
So I figure I can go hide or I can stand up and fight. Well, I suck at hide and seek. So I wrote this song. And I got my behind kicked. Seriously. Lost everything the Lord told me I would and other stuff I didn’t even realize I even had or it was possible to lose. I stopped singing this song. The backlash on this thing scared me.
See, I wrote it out of James 4:7, which says, “resist the devil and he will flee from you.” Problem is that I didn’t read the whole verse. “Submit yourself completely to God, THEN…resist the devil and he will flee from you.” Took a few years of watching the game tape to notice the difference between me when I first wrote this, and David when he issues a challenge to Goliath. I was standing on my own; he was standing in the name of the Captain of host of the armies, whom your enemy has defied. So read the whole verse, submit first, then resist.
And yes, I will be singing this again.
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Persuaded
I don’t know why good people have to suffer
I don’t know why little children have to die
I got twice as many questions, half as many answers
And so many reasons I don’t pretend to understand
But I know who holds my hand
And I’m persuaded that He is able
To keep my life until that day
Yes I’m persuaded that He is able to keep my life until that day
I don’t know why we keep on hurting one another
I don’t know why we keep on building up these walls
Every now and then I get depressed about the pictures in the paper
Lingering questions, tugging on my soul
But still I know who’s in control
And I’m persuaded that He is able to keep my life until that day
Yes I’m persuaded that He is able to keep my life until that day
And no height, no depth, there is no power can separate me from his mercy
Not my past, nothing to come
In the midst of all my questioning
The thing I know for sure
Is that I’m persuaded that He is able to keep my life until that day
Yes I’m persuaded that He is able to keep my life until that day
Story of the song (Persuaded): I read 2 Timothy 1:12. And I thought, in the face of all the pain and suffering in the world, all the broken relationships and despairing hearts, at some point I run out of explanations that suffice. At some point there’s too much horrific suffering, for me to offer anyone a tidy 3-point conclusion. For what I do understand, and I am a reasoning man, I am persuaded by evidence that Jesus is who he claims to be. For what I do not understand, I am persuaded by trust, by faith. Sooner or later, we come to the bridge of trust, and we cross it or we don’t. These are the thoughts that came to me as I wrote this song.
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What Is Man?
Who do you think that I am
And why would you make a plan
Sometimes I don’t understand
Just who you think that I am
You make me feel like a man
When you offer your hand
I’m doing all that I can
To be who you think I am
What is man? What is man?
What is a man?
You were my friend from the start
Even when we were apart
I’m gonna give you my heart
I just wanna be where you are
And you will know that it’s true
In everything that I do
I do it only to prove
That I’m devoted to you
What is man? What is man?
What is a man?
Clearer and clearer I see
Your love intoxicates me
Rivers that flow to the sea
Flow on indefinitely
I want you to know for sure
That since you came to my door
Everything I was before
Your love has made me much more
What is man? What is man?
What is a man?
Story of the song (What is Man?): January 6 was the date, I don’t remember the year, I think it was 2002. I was heading out the door to meet producer Billy Oskay at the Big Red Studio, that was the name of the place. It was big. It was red. It was an amazing studio. The day was going to cost a hefty chunk of money. I felt guilty investing more in this elusive music that had not paid us money in return. I felt guilty that the woman I loved couldn’t get new shoes. Forget shoes, we couldn’t pay the electricity bill and here I am taking money to the studio on another of my wild goose chases. As I’m heading out the door, cash in hand, I asked her, “Why are you still here, after all the difficulty and hardship? I mean, I keep trying at this music thing and it doesn’t seem to go anywhere and here I am, at it again. Why are you still with me?”
She said, and I’ll never forget it: “I see who you’re going to be. I know who you are…”
I was heading up the freeway and that thought just kept recycling in my mind. “Who does she think I am?” Whoever she thinks I am, he must be someone worth staying around for. Whoever he is, she’s willing to endure some hard times to be with that guy. I wish I was that guy, the one she thinks I am. And then I thought of David’s question to the Lord in Psalm 8:4–What is Man, that you even bother thinking about him?
And I wondered if God’s response might be similar to Suzanne’s: “I see who you’re going to be. I know who you are…”
Another song written while driving. Turns out I’ve written quite a few of them in the car.
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Wings
Sometimes I get weary and my strength is gone
Troubles against me and I can’t hold on
But no matter how the winds blow or the waters rise
I remember what he told me
And my fear subsides
He said that I would fly on the wings of an eagle
Walk and not faint
Run and never get weary
He’ll renew my strength
He promised I would fly on the wings of an eagle
Walk and not faint
Run and never get weary
He’ll renew my strength
So when your heart is hurting and you can’t even breathe
Spirit is willing
But you’re tired and you’re weak
Don’t let yourself worry
Do not be afraid
Just remember what he told you
Remember what he said
He said that you would fly on the wings of an eagle
Walk and not faint
Run and never get weary
He’ll renew your strength
He promised you would fly on the wings of an eagle
Walk and not faint
Run and never get weary
He’ll renew your strength
Fly, fly…
Story of the song (Wings): I was working in the keyboard department at Guitar Center Hollywood. Patrick Ross was one of my co-workers. He came in one Monday morning and said, “I got some music that’s for you.” He’d been sequencing on his keyboard and the chord progression was this one, and for some reason he thought I should be the one to find the lyric to it. As I listened, Isaiah 40:31 is what I heard, so that’s what it became. Many a tough day later, the Lord would remind me of this song. The music you write or sing or listen to, will come back to visit/haunt you.
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Sophia
Early in the morning she walk the streets now
She will give a light to the one she meet
Anything she say it will be the truth now
Maybe today the one she meet is you
Anytime she speak you must hear the sound
Anything she tell you
You write it down
Sophia come a’walkin
My child hearken unto wisdom
Sophia come a’walkin’
And write her words upon your heart
Lonely is a town that she doesn’t visit
Lonely is a man that she does not see
She talk to beggars, she talk to princes
She don’ play no games of political
Money and power they come behind her
Follow her footsteps, they lead to life
Sophia come a’walkin’
My child hearken unto wisdom
Sophia come a’walkin’
And write her words upon your heart
Story of the song(Sophia): Another visual songwriting experience. I saw this one like a video in my mind and simply followed the main character around. She was a beautiful woman, veiled. I could see her eyes and they are amazing! She walked through a city with narrow high-walled streets. Doors to dwelling places opened right off the cobble-stone street. Everything seemed drab where she had not yet walked, then sprang to colored life as she passed by. Every so often she would stop and knock at a door, or hail an early morning venturer. Some would light up at her greeting; others would shy away and some would run indoors and lock themselves away from her.
Proverbs 8 personifies Wisdom calling out to people, asking to be heard and welcomed.
Sophia is the greek word for wisdom.
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Do You Hear What I Hear (written by Noel Regney and Gloria Shane Baker)
Said the night wind to the little Lamb
Do you see what I see
Way up in the sky, little lamb
Do you see what I see
A star, a star, twinkling in the night
With a tail as big as a kite
With a tail as big as a kite
Said the little lamb to the shepherd boy
Do you hear what I hear
Ringing through the night, shepherd boy
Do you hear what I hear
A song, a song, high above the trees
With a voice as big as the sea
With a voice as big as the sea
Said the shepherd boy to the mighty king
Do you know what I know
In your palace warm, mighty king
Do you know what I know
A child, a child, sleeping in the night
He will bring us goodness and light
He will bring us goodness and light
Said the king to the people everywhere
Listen to what I say
Pray for peace, people everywhere
Listen to what I say
A child, a child, shivering in the cold
Let us bring him silver and gold
Let us bring him silver and gold
Story of the song (Do You Hear What I Hear?): I didn’t write this, but it just felt good to me and Tom got permission to do it, so we did. Thank you to the publishers for allowing us that permission.
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Calling It Joy
I got a feeling in my soul
And I don’t know what I’m gonna call it
Never felt like this before
But it’s creeping through my bones
And it seems like I can’t find my way to my pain anymore
O, So I’m calling it joy
Yes, I’m calling it joy
We did not come here to just survive
I know we were meant to come alive
I got a rhythm in my stride
And the beat that I’m dancing to makes me feel like I’m alive
Something like fever burns inside
You can tell by the smile on my face and the light in my eyes
O, that I’m calling it joy
Said I’m calling it joy
We did not come here to just survive
I know we were meant to come alive
No we did not come here to just survive
I know we were meant to come alive
Story of the song (Calling It Joy): It had been a long dry spell. Not only was I not writing music, but things were so wrong inside I wasn’t even hearing music. That never happens to me. It had been about 90 days at this point, when it broke. I wrote three songs on this day in 2004. Sweet Lover, Sophia, and then this one, Calling It Joy. I had my subaru wagon full of donuts I was selling for a fundraiser, and I had my guitar as I walked back and forth on the sidewalk in front of a pizza place in Mcminnville. And by the end of the day, this song had landed. Lately (2011) I’ve been performing it with the Humlie Trio and I’m very much enjoying the ways the groove is developing. It’s about joy that’s past description, and stronger than circumstance.
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This next song (Sit For A While) is a work currently in progress in August/September of 2011. Follow and support it, please, at http://www.kickstarter.com/projects/lennox/sit-for-a-while-music-video
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Sit For A While
Well, I’m driving through the rain and my thoughts are coming fast
Wonder if this morning might be better than my last
Running out of time, be to work in a minute
Looking for a window cause I want to find you in it
And sit for a while
Wish that I could sit for a while
So now I’m pulling in to work and my thoughts get interrupted
Got to get my mind all focused and productive
Big old stack ‘a deadlines, counteroffer re-signs, conferencing the phone lines
And I’m going outta my…mind
But I got to get a message to the fellas in IT
Sounded kinda harsh but it wasn’t what I mean
See this new thing they installed’s just been locking up my screen
And I wonder what you’d do if it was you instead of me
Glance up at the clock and it’s 11:45
Keep my mouth shut twenty minutes, there’s a chance I might survive
This is not the morning my boss would understand
Some things I cannot handle, cause I am just a man
I got to sit for a while and just learn how to trust you and everything
Sit for a while and just learn how to trust you and everything
Well now my body came back from lunch but my spirit didn’t wanna
Think I saw it flying down the street around the corner
Maybe you could pick it up after I get out of my job
Reset to this morning back to where we let it off
See I’m trying to get my head around this intimacy and closeness
But it’s really new to me so I been taking smaller doses
Than your book here recommended
Hope you’re not offended
Got one life to live and I don’t really want to spend it
Following a God I cannot see, ain’t never met you
We at least been face to face well then I never would forget you
I remember that you told me you would always have a plan
I remember that you carry universes in your hand
And I might not make my deadline, but at least I’ll understand
That you are the Omega and I am just a man
I got to sit for a while and learn how to trust you and everything
I got to sit for a while and just learn how to trust you and everything
Story of the song (Sit For A While): I left my job in December of 2010. I did this because I believed God had told me to do that. So I get to January and I’m like, “Ok, now what?” And He’s like, “sit with me for a while.”
I’m thinking, “are you kidding me right now? We got to do stuff and make stuff and promote stuff and market stuff and tell everybody and do everything!”
And He’s like “there will be time. Sit with me. First you have to learn to trust me.”
This song is the story of my last day at work, December 22, 2010. I began it as I drove to work that morning and finished it in January of 2011 with the memory of that day and all the other last days on all the other jobs over the last 20 years.











